Sally Johnson was born in 1977 and brought up in
Cumbria’s Lake District. Early ambition to be a violinist was
overtaken by her love of singing and she entered the RNCM in 1996 to
study with Caroline Crawshaw.
As an undergraduate she was awarded the James Onken
Song Prize, sang in the chorus of La Bohème, understudied in
James Macmillian’s Busqueda and Janacek’s Jenufa
and performed the role of first Bridesmaid in Le Nozze di Figaro.
Involvement with the Yorke Trust productions in Norfolk led to oratorio
opportunities and the role of Iris (Semele) and Minerva (The
Return of Ulysees).
In 2000, her final undergraduate year, she sang the
role of Tatyana (Eugene Onegin) for Wilmslow Opera, a role she
was to repeat in Autumn 2001 for Lakeland Opera.
Since graduating in 2000, Sally’s experience has
broadened to include regular recital and oratorio engagements and opera
galas. Recent performances have included Haydn’s Nelson Mass
and The Creation, Bach’s St Matthew Passion and St.
John Passion, Carl Orff’s Carmina Burana and Verdi’s Requiem.
Masterclasses with Ryland Davies and Jane Eaglen have also been
invaluable. In 2002 she was a finalist in the Frederic Cox Competition
at the RNCM, and in March sang the role of Liza in the College
production of Tchaikovsky’s The Queen of Spades.
Sally’s keen interest in contemporary music has led
to opportunities to premiere new chamber works including a recent
premier of the contemporary song cycle Broken Heart of Autumn by
Christopher Beardsley with the Opera North Orchestra at the Spring
Festival of New Music in York. She will be performing Weeks’ Morgensternlieder
with the Alauna Ensemble at this year’s Lower Machen Festival
on 29th June.
Sally is a major scholar of the Peter Moores
Foundation. Last year she was awarded a scholarship by the RNCM and
awards from the Musicians’ Benevolent Fund and the Eva Turner Award to
support her continuing studies, for all of which she is most grateful.